Here are some suggestions on films and animations that capture Christmas for you. The section has been broken down into:
Many of the listed films have a trailer - links have been included on this page, alternatively, go to the London for Christmas Youtube page to see all the trailers: www.youtube.com/londonforchristmas
atrick Stewart brings a depth to Scrooge that allows the character to go beyond the cartoonish qualities that have made him a Christmas mainstay. That doesn't mean he's any less heartless with his hapless employee Bob Cratchit (Richard E. Grant) or any less dismissive of his well-meaning nephew. A frail-looking Joel Grey makes an excellent ghost of Christmas past, and a superb cast ably fill the remaining roles. Director David Jones, shooting on location in England and at Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come.
Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic.
A sweet movie and perennial Christmas favorite, this is one of those movies that gets under your skin and must be revisited every so often.
This dramatic and compelling story comes to life in a major motion picture starring Keisha Castle-Hughes (Whale Rider) as Mary and Oscar-nominee Shoreh Aghdashloo ("House of Sand and Fog") and Oscar Isaac (Syriana) in supporting roles. "The Nativity Story" is directed by Catherine Hardwicke ("Thirteen," "Lords of Dogtown") from a screenplay by Mike Rich ("Finding Forrester," "The Rookie").
Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie).
Crosby is cool, Clooney is warm, Kaye is goofy, and Vera-Ellen is leggy. Songs include: "Sisters" (Crosby and Kaye do their own drag version, too), "Snow", "We'll Follow the Old Man", "Mandy", "Count Your Blessings Instead of Sheep" and more. Christmas would be unthinkable without White Christmas.
Complicating things is a smarmy businessman named Toney Boer, who has taken an interest in Catherine. Ethan, meanwhile, is preoccupied with not only his parents' romantic dilemma, but also his own - one brought about by his new friendship with Stephanie, his first teenage crush. What evolves is an elaborate scheme involving mice, telephone calls and an ice-cream truck, as Ethan and Hallie try to achieve their goal with the help of Stephanie. The duo's primary obstacle is their mother's fiance, Tony. The children finally succeed with a little Christmas magic from Santa Claus.
Nick really is Santa Claus, and he faces mandatory retirement after 200 years on the job. Nick must find his replacement by Christmas Eve or the world will face dire consequences and he has his sights set on Lucy.
It seems that Mary just asked the jolly fellow in the red suit for a million dollars to make her daddy happy, and Leo and Sheldon Cardoza, two bumbling crooks, have just lost a satchel of fake Ben Franklins. But the Kooky Cardoza brothers, or as their Cruella de Ville boss calls them “the worthless pieces of lint,” have the situation under control. They just spotted two kids run off with the copied cash, and how hard could it be to catch a couple of kids? With older brother Danny off falling for a blonde beauty he spotted on the beach (yes, this glorious mall has its on wave pool!), younger brother Brian and innocent Mary are on the spending spree of their lives. These inventive adolescents have a plan to lead the clumsy criminals right to the law, all while discovering a magical wonderland right beneath the mall.
Perhaps because Rob Lowe is usually stereotyped as glib and insincere, The Christmas Shoes feels surprisingly heartfelt. The earnestness of The Christmas Shoes surprises because the story originated in the famously sappy country song of the same name, and movies based on songs rarely feel anything but plastic and contrived. There are certainly moments when The Christmas Shoes lays on the sentiment woefully thick, but you'd have to be an ogre not to be touched when Maggie and her husband have one last dance.
In this tale you'll be caught up in all kinds of childhood calamities from snowsuit paralysis to the yellow-eyed Scotty Farkus affair to the dreaded tongue-on-a-frozen flagpole gambit.
That's just what Luther (Allen) and Nora Krank (Curtis) have in mind when they decide that, just this once, they'll skip the holiday altogether, despite the fact that they're usually the most fanatical about it. They might as well, since it won't be the same without their daughter, who's away in the tropics. They get the idea to join their daughter in sunny paradise as a surprise, and thus, theirs will be the only house on Hemlock Street without a rooftop Frosty; they won't be hosting their annual Christmas Eve bash; they aren't even going to have a tree. But when their daughter surprises them by cutting her trip short and returning home for Christmas, there's a mad scramble to prepare themselves to have the traditional Christmas fanfare on extremely short notice.
Steve (Matthew Broderick), a suburban dad and Christmas enthusiast, leads a well-ordered, well-planned, and well-organized life. His new neighbor, Buddy (Danny DeVito), is Steve’s polar opposite: a big personality with big dreams, which have yet to materialize. But Buddy’s latest dream - to create the biggest holiday light display in the world, visible from outer space – is turning Steve’s disciplined world into a chaotic nightmare. As Buddy’s home explodes with festive lights of incredible design, increasing complexity, and exponentially-growing wattage, Steve becomes a man on a mission. At any cost, he will thwart Buddy – or top him.
Favreau's film is family entertainment at its finest, featuring a performance by Ferrell that is at once innocent, tender, and laugh-out-loud funny. A stellar supporting cast - including Caan, Deschanel, Newhart, and Faizon Love - adds to the film's already overabundant charm.
True to form, Nicholas grew up to be the model of giving, while Fred became the polar opposite: a fast-talking repo man who's run out of luck and money. Over Mrs. Claus' objections, Nicholas agrees to help his brother on one condition: that he come to the North Pole and earn the money he needs by working in Santa's Toy Shop. The trouble is that Fred isn't exactly elf material and, with Christmas fast approaching, Fred could jeopardize the jolliest holiday of the year.
Adding to the fun is a perfectly pitched back-story sequence (accompanied by Anthony Hopkins's narration) that explains how the Grinch came to hate Christmas, with a heart "two sizes too small". Ron Howard proves a fine choice for the director's chair with a keen balance of comedy, sentiment and light-hearted Seussian whimsy. If a film can unleash Jim Carrey at his finest, revamp the Grinch story and still pay tribute to the legacy of Dr Seuss, you can bet it qualifies as rousing entertainment.
Desperate for a change of scenery, the two women meet on the internet and swap houses for the Christmas holiday discovering that a change of address really can change your life.
A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realises he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries Home Alone. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top.
Again, the little guy meets up with colourful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasise the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own.
When the criminals zero in on Alex's house with their high-tech gadgetry, madness and mayhem kick into high gear as the pint-sized hero defends himself against the bumbling bad guys -armed with an outrageous array of ambushes and booby traps!
There are some truly comic moments in the film, such as the sight of Schwarzenegger being chased by a reindeer, and the obsequious efforts of a neighbor (Phil Hartman) to insinuate himself on Schwarzenegger's wife in the big man's continual absence.
Loses its way whenever it veers from the original script--as in the relationship between Mara's mom (Perkins) and her neighbor/friend (McDermott) ... and when it manages to keep the adorable youngster off-screen for a long, dull chunk of story. Tellingly, this version is almost 20 minutes longer than the earlier film. Produced and written by John Hughes.
Chase is right at home with the outrageous slapstick and often cheerfully tasteless humour and John Hughes's script is stuffed full of classic Christmas movie references. However, Randy Quaid practically steals the film as the unemployed relative with his malicious grin and mooching lifestyle. Not exactly a holiday classic and a bit spotty but this gag-filled comedy is just obnoxious enough for the Scrooge lurking inside everyone. And fear not, a happy ending awaits all.
Not a light holiday entertainer by any means, the plot verges on depressing at times, as the family struggles through money issues and the tedium of daily suburban survival. While handled fairly subtly, some of the bridging story--including a shooting, a kidnapping, and a drowning--might prove disturbing to children under 6 years old. And really: if the somber Harry Dean Stanton (Paris, Texas) repeatedly appeared in your neighborhood, cloaked in a cowboy hat and overcoat, would you allow your kids outside? Still, a well-made favorite to cherish.
In the depths of the Korvatunturi mountains, 486 metres deep, lies the closest ever guarded secret of Christmas. The time has come to dig it up!
This Christmas everyone will believe in Santa Claus.
Based on award winning shorts of director Jalmari Helander that have already acquired a cult reputation in the internet.
The second half moves into the modern era, in which Patch, the head elf, strikes out on his own and falls in with an evil toy manufacturer who wants to corner the market and eliminate Santa Claus.
The Santa Clause probably won't supplant It's a Wonderful Life or Miracle on 34th Street as anyone's favourite Christmas film, but it's an enjoyable, straightforward family film, anchored by the affable charisma of Allen.
At the risk of giving away the secret location of the North Pole, Scott invites his in-laws (Ann-Margret & Alan Arkin) to share in the holiday festivities, and upcoming birth of baby Claus with expectant wife, Carol, - AKA Mrs. Claus (Elizabeth Mitchell).
Along for the adventure are Scott's extended family, son Charlie (Eric Lloyd), ex-wife Laura Miller (Wendy Crewson), her husband, Neil Miller (Judge Reinhold) and their daughter, Lucy (Liliana Mumy) who, together with head elf Curtis (Spencer Breslin), foil Jack Frost's crafty scheme to control the North Pole.
Predictability aside, Santa Who? drags a sleigh-full of better than average shenanigans into living rooms, making this a winter-evening warmer for the whole family.
The various ghosts lead him on a ghost-town tour of Manhattan, with stops at holidays past, present and future and a Kumbaya moment when Al Green and Annie Lennox sing "Put a Little Love in Your Heart". The effects are otherworldly, but one wishes the writing were as sharp as Murray's edgy portrayal.
As the Christmas tree is trimmed and the lights are hung, secrets are revealed and family bonds are tested. As their lives converge, they join together and help each other discover the true meaning of family.
How Lucy gets out of this amorous predicament is what makes this pleasant movie less predictable than its familiar ingredients would initially indicate. It's feel-good fluff, with characters and performances that keep you smiling through the drippy plot mechanics.
It’s up to three very unusual Christmas Spirits to take Eden on a fantastical holiday journey that will open her heart to the spirit of the season and the joy of giving. Barbie™ in A Christmas Carol is a family favorite to enjoy every holiday season!
There are many reasons to watch this: inventive wordplay, Karloff's impressive narration and a very memorable soundtrack.
Michael Caine makes a wonderful Scrooge, delightfully rediscovering the meaning of life as fantastic creations from Henson's Creature Shop (developed specially for this film) take the reins as the three ghosts. While the odd mix of offbeat humour and sombre drama undercuts the power of Dickens's drama, this kid-friendly retelling makes an excellent family drama that adults and children alike can enjoy.
The full title is Tim Burton's The Nightmare Before Christmas, which should give you an idea of the tone of this stop-action animated musical/fantasy/horror/comedy. It is based on characters created by Burton, the former Disney animator best known as the director of Pee-wee's Big Adventure, Beetlejuice, Edward Scissorhands and the first two Batman movies. His benignly scary-funny sensibility dominates the story of Halloweentown resident Jack Skellington (voice by Danny Elfman, who also wrote the songs), who stumbles on a bizarre and fascinating alternative universe called ... Christmastown!
Late on Christmas Eve night, he lies in bed hoping to hear the sound of reindeer bells from Santa's sleigh. When to his surprise, a steam engine's roar and whistle can be heard outside his window. The conductor (voice of Tom Hanks) invites him on board to take an extraordinary journey to the North Pole with many other pajama-clad children. There, he receives an extraordinary gift only those who still believe in Santa can experience.
Unfortunately, everyone seems to have their own ideas on what Christmas is all about, so when Donkey, Puss In Boots, the Gingerbread Man and the whole gang try to join in on the fun, Shrek's plans for a cosy family celebration end up spiralling into one truly unforgettable Christmas.